![]() ![]() All the FX-sends and returns you need already in place, mix-bus chains BOOOM. See why 1000s of artist use this to record hits. ![]() This will work great as a starting point for recording and producing a vocal on an existing backing track. I created A Pro Tools Template Called 'Trap Godz' that transformed the way trap music is recorded. Comes with a huge channel strip library for vocals. Guys and girls heres a FREE template for Pro Tools. This will work great as a starting point for recording and producing a vocal on an existing backing track. I understand why Scheps doesn't use pre fader sends, because then he's getting a copy of his unaffected audio sent to rear buss right? So I def don't want to do that, any insights are welcome thanks in advance. Any existing Pro Tools session can be saved as a template: simply go to the File menu and select Save As Template, then follow the instructions in the dialogue. Guys and girls here’s a FREE template for Pro Tools. Realized: I think what I can do is route all instruments going to the rear buss to an aux, and that auxes fader will be at 0 so it should respond correctly even when I max out the sends, still not enough, tried turning the input of the compressor up as well, but that doesn't work because it causes me to have to turn the track volumes sent to the rear buss down, which leaves me where I started. This is great, watched a few times, took notes, currently mixing with the template, one issue I'm having is, when my sends to the rear buss are post fader, they don't hit it hard enough, for ex: I'm getting healthy audio levels from my guitars, but since they are turned down to -8, -6, -12, guitar solo turned down to -27, and again, although the faders are turned down, the audio signal I'm getting is just right.īut since post fader sends react to the actual numeric value that the volume faders are set to, I get just a teensy bit of audio signal from my sends, not enough to hit the rear buss hard enough for compressor to react at all. ![]()
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